This thesis examines and attempts to develop the theory of yakuwarigo as introduced by Kinsui (2003) by integrating both the visual and linguistic aspects of characters found in manga. We seek answers to what extent Japanese native speakers are capable of matching linguistic and visual characteristics of characters in manga. As well as whether they are consciously aware of how yakuwarigo affects their choices. Furthermore, it aims to present a framework capable of classifying, and categorizing different types of characters by their language use. This is accomplished by analyzing the motivation behind choices, by natives, whom were asked in a survey to match lines and artwork of characters in manga to form pairs.

Denna undersökning tar itu med unga japaners språk wakamono kotoba. Wakamono kotoba består av nyskapande ord och majoriteten av orden har spridits genom massmedia. Det har gjorts många undersökningar om denna språkmångfald. Ett resultat av forskningen är boken Wakamono kotoba ni mimi wo sumaseba skriven av Yamaguchi (2007). Där kategoriserar författaren in wakamono kotoba i nio olika delar.

Denna undersökning tar itu med unga japaners språk wakamono kotoba. Wakamono kotoba består av nyskapande ord och majoriteten av orden har spridits genom massmedia. Det har gjorts många undersökningar om denna språkmångfald. Ett resultat av forskningen är boken Wakamono kotoba ni mimi wo sumaseba skriven av Yamaguchi (2007). Där kategoriserar författaren in wakamono kotoba i nio olika delar.

Denna undersökning tar itu med unga japaners språk wakamono kotoba. Wakamono kotoba består av nyskapande ord och majoriteten av orden har spridits genom massmedia. Det har gjorts många undersökningar om denna språkmångfald. Ett resultat av forskningen är boken Wakamono kotoba ni mimi wo sumaseba skriven av Yamaguchi (2007). Där kategoriserar författaren in wakamono kotoba i nio olika delar.

Denna undersökning tar itu med unga japaners språk wakamono kotoba. Wakamono kotoba består av nyskapande ord och majoriteten av orden har spridits genom massmedia. Det har gjorts många undersökningar om denna språkmångfald. Ett resultat av forskningen är boken Wakamono kotoba ni mimi wo sumaseba skriven av Yamaguchi (2007). Där kategoriserar författaren in wakamono kotoba i nio olika delar.

Denna undersökning tar itu med unga japaners språk wakamono kotoba. Wakamono kotoba består av nyskapande ord och majoriteten av orden har spridits genom massmedia. Det har gjorts många undersökningar om denna språkmångfald. Ett resultat av forskningen är boken Wakamono kotoba ni mimi wo sumaseba skriven av Yamaguchi (2007). Där kategoriserar författaren in wakamono kotoba i nio olika delar.

Denna undersökning tar itu med unga japaners språk wakamono kotoba. Wakamono kotoba består av nyskapande ord och majoriteten av orden har spridits genom massmedia. Det har gjorts många undersökningar om denna språkmångfald. Ett resultat av forskningen är boken Wakamono kotoba ni mimi wo sumaseba skriven av Yamaguchi (2007). Där kategoriserar författaren in wakamono kotoba i nio olika delar.

I Japan är s.k. rollspråk, dvs. stereotypt språk kopplat till en viss typ av karaktär, vanligt i material riktat till barn, såsom barnfilmer. Trots att rollspråk som forskningsområde är relativt nytt finns ett antal studier som behandlar rollspråk i litterära översättningar, undertextningar och dubbningar till japanska. Få eller inga har dock jämfört hur rollspråket påverkar karaktäriseringen dels i undertexterna, dels i dubbningen av en och samma film.Denna uppsats analyserar japansk undertextning och dubbning av den svenska barnfilmen Du är inte klok Madicken och finner att båda versionerna använder rollspråk på ett liknande sätt för att förenkla karaktäriseringen och framhäva de kvinnliga karaktärernas femininitet genom bl.a.

Denna undersökning tar itu med unga japaners språk wakamono kotoba. Wakamono kotoba består av nyskapande ord och majoriteten av orden har spridits genom massmedia. Det har gjorts många undersökningar om denna språkmångfald. Ett resultat av forskningen är boken Wakamono kotoba ni mimi wo sumaseba skriven av Yamaguchi (2007). Där kategoriserar författaren in wakamono kotoba i nio olika delar.

Denna undersökning tar itu med unga japaners språk wakamono kotoba. Wakamono kotoba består av nyskapande ord och majoriteten av orden har spridits genom massmedia. Det har gjorts många undersökningar om denna språkmångfald. Ett resultat av forskningen är boken Wakamono kotoba ni mimi wo sumaseba skriven av Yamaguchi (2007). Där kategoriserar författaren in wakamono kotoba i nio olika delar.

The purpose of this essay was to examine the role of the acquisition of the Swedish language for integration of adult immigrants given by the seven parties currently in the parliament and other players on the field. The questions were meant to bring light upon the arguments used by the different players concerning the role of the Swedish language, to enlighten which discourses that are constructed, and the contradictions that exist between these. We parted from a postmodern position and used social constructionism to back up our method and theory of analysis; discourse theory. The results revealed three different discourses concerning the role of the Swedish language in the integration process; the liberal discourse, the discrimination discourse and the social democratic discourse. The liberal discourse claims that immigrants have a responsibility to learn Swedish to be able to achieve employment and to provide for themselves.

 In today?s society teachers will face students of foreign origin. It is up to the teachers to help these students gain the knowledge they need to flourish in society. Despite the fact that mathematics is a universal topic with high status in many countries, studies have shown that mathematics is a subject where a large proportion of foreign students fails. The purpose of this study was to see wherein the problem lies and describe teachers' perceptions of the barriers and the opportunities in mathematics for students with Swedish as a second language.

The purpose of this essay was to do a research about if the language in Swedish role-playing books is used correctly and if the composition along with the possible language errors makes the books hard to understand.This research was also about to find out why these problems occurs and if the authors are aware of them.I choose books from two Swedish role-playing games, Eon and Drakar och Demoner. I read them trough, noted the mistakes made and put them together in a scoring table. I also did a LIX-test on the books and interviewed one of the authors.The results shows that the books to Eon is harder to read than the books to Drakar och Demoner and this agrees with the vision the authors of the books claims to have.The results also shows that it is not only the language mistakes and the composition that makes the books hard to read, but also the choice of difficult words and badly formulated rules..

This thesis is a comparative analysis of language policy in the Post-Soviet states Ukraine and Kazakhstan, wherein the states are seen as rational actors using language as an instrument in the nation-building process. With a take-off point in an underframe of theories on the nation, national identity, instrumentalism, power and the particular role of language in the nation-building process, this thesis shows that language is a key instrument used by the two states.The Ukrainian and Kazakhian language policies create and put across a certain image of the nation, by emphasising the titular languages as symbols of the new states. The line of argument in the language policy is a balance act between large-scale promotion of titular languages and a careful and inclusive attitude towards the Russian language. The biggest differences are that Ukraine, compared to Kazakhstan, has a more comprehensive and consequent language policy with a deeply rooted historic rhetoric. The most obvious instruments of the states in language policy is censuses, corpus-planning and the state choosing one official language..

AbstractMy purpose with this essey is to study how they work in preschool whir language- stimulation. I will try a way to work with this trough intervjus whit teacher at preschool. My main questions are: Way dose teachers use language- stimulation? How dose teachers use language- stimulation when it comes to there way of working and methods? Do the teachers think that language- stimulation help the childrens development?To answer these questions I interviewed 6 teachers I central Sweden and used this as data. I have written about language, language- development in a biologik and theoretical aspect, teachers plan, language- stimulation, playing by language sounds and TRAS (early registration of language development) in my literary review.My result shows that working whit language- stimulation helps children in there language- development, it also develops there self-image and identity.